Based on true events, the series is based around a man, Hugo, who goes missing from a tiny outback town of only 12 residents. His son, Andy Pruden (Feldman), a suburban Ohio bank teller, has journeyed across the world to visit and is alarmed when he discovers he is missing. Andy teams with another outsider Cassie (Perry Mooney) on a quest to find his father, and the pair find themselves in increasing danger as they delve into the secrets of this tiny outback town, where everyone is a suspect.

The day before Soo-min’s big concert day, her college friends Won-ho, Sun-ki, Hong, and Jin-sook gather to celebrate Soo-min. Talking about their old memories and having fun seems like a happy moment of old friends. But soon when Soo-min leaves to the bathroom, Jin-sook starts a disturbing story about Soo-min that she has been sexually abused by her dad and brother after her mom’s death. As all friends are shocked, one by one starts to talk about Soo-min’s whole secrets as if they know everything about her without knowing Soo-min is overhearing their conversation. It drives Soo-min to the irrevocable revenge with secrets behind.

The day before Soo-min’s big concert day, her college friends Won-ho, Sun-ki, Hong, and Jin-sook gather to celebrate Soo-min. Talking about their old memories and having fun seems like a happy moment of old friends. But soon when Soo-min leaves to the bathroom, Jin-sook starts a disturbing story about Soo-min that she has been sexually abused by her dad and brother after her mom’s death. As all friends are shocked, one by one starts to talk about Soo-min’s whole secrets as if they know everything about her without knowing Soo-min is overhearing their conversation. It drives Soo-min to the irrevocable revenge with secrets behind.

Sam Born, an ambitious immigrant confectioner, unknowingly finds himself in the crosshairs of a ruthless turf war over the candy business in mid-century America.

Explore different periods of human history through a variety of sketches.

自信满满的男人正在撰写他的发言稿，他不时将想到的灵词妙句念给妻子听，妻子则心不在焉地鼓鼓掌，敷衍了事。夜深人静，妻子已经睡下，而我们的演说家仍对着镜子苦苦练习每一句话、每一个手势。他甚至幻想第二天的演讲将取得怎样轰动的效果，听众们全部按他的意愿喜怒哀乐。一想到这些，就令他兴奋和骄傲不已。 　　第二天，演讲如期举行，演说家在台上滔滔不绝。观众们起初还认真听讲，但晦涩难懂的语句逐渐让他们失去了耐心，私下里开始干着各自的事情……

Chae-yeon, who has never been in a relationship, secretly has a crush on Nam-gyoo, the president of her company, and practices kissing in front of the mirror every day. One day, Chae-yeon musters up her courage and asks Nam-gyoo to kiss her, but Nam-gyoo avoids her, promising her next time. But in fact, Nam-gyoo has never kissed properly before, so he goes to take kissing lessons to fulfill Chae-yeon's request.

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

This outrageous comedy stages a soap opera of epic proportions, as one corrupt property developer faces trial for Mexico's violent history. The fourth feature from Santiago Mohar Volkow, Una historia de amor y guerra centres on real estate baron Pepe Sánchez-Campo, whose mega-mall development brings him into conflict with local guerrillas. For once, bribery and a call to Daddy might not be enough to save Pepe – a character more grotesque than the telenovela unfolding around him. Trying to sabotage Pepe's marriage to Constanza, her cousin and lover Teo records Pepe cheating. The resulting chaos precipitates in a burlesque bloodbath involving treachery, talking animals, colonial history and bartering in the afterlife.

A Short History of the Gaze is an experiential essay for Virtual Reality about the relationship between gaze and violence. 　　From the evolution of sight in a pre-cambrian sea creature to the dominance display of a primate, from a landscape of billboards begging for attention to an infinite panopticon, the player traverses and affects the virtual scenes by simply looking (or not looking) at things.